Day 2: SPEAKERS

Thematic Papers Session 5A – Partnerships

Thematic Papers Session 5A – Partnerships

Session Time: 2.00pm
Venue: Ngee Ann Auditorium, B1

Increasing Education and Access Touchpoints Through Collaboration with Volunteer Community And Media: 100 Masterpieces of The Asian Civilisations Museum Chinese Publication

Ms Tan Ching Yee
Senior Manager, Education Department, Asian Civilisations Museum, National Heritage Board 

In June 2022, Asian Civilisations Museum (ACM) published her first community-driven publication written in Chinese, 100 Masterpieces of the Asian Civilisations Museum《四海汇风华——亚洲文明博物馆百件珍藏》. Stemmed from the objective to produce a beautiful Chinese catalogue of highlights that visitors could bring back, ACM volunteer group Mandarin Guides actualised this initiative in a three-way collaboration with ACM and Singapore’s leading Chinese newspaper Lianhe Zaobao. It culminated in a box set of 5 volumes (themed Faith, Love, Beauty, Purity, Hope) featuring 100 highlights from the ACM collection that were selected and written by the Mandarin Guides, with guidance from ACM curatorial and editorial teams, as well as further edits by Lianhe Zaobao.

100 Masterpieces provided a platform for the volunteer community to share their own perspectives of ACM’s objects, a community voice that differs from the usual curatorial publication. The book targets the Chinese-speaking community who may not fully understand the museum’s English texts, allowing the collection to be more accessible to the Chinese-speaking local and overseas audiences.

100 Masterpieces bagged the Prof Koh Award of the National Heritage Board Best-selling Publication in 2022.

Benefits of such multi-way collaborations include pulling resources together in a collective effort to reach wider audiences, thereby creating a greater impact and increasing education and access touchpoints to a museum’s collection. Secondly, it increases understanding and builds meaningful relationships amongst stakeholders. Last but not least, it inspires the possibilities to connect across communities and industries.

Anybody Home?

Mrs Tammy Wille
Public mediation, education and participation, MAS

Anybody home? is a family-oriented semi-permanent exhibition that encourages children and adults to think and talk about ‘home’.

Anybody Home? is innovative in its participatory and collaborative curation. An interdisciplinary co-curatorship was set up between a member of the MAS education team and one of the collections team.

The curator duo joined forces with Studio ORKA, a Ghent theater collective that creates performances appealing to both children and adults. ORKA was involved in the elaboration of content and themes, and tasked with the creation of a concept design for the exhibition space.

Early on, the project team started a consultation trajectory with a group of Antwerp families to further guarantee the exhibition’s relevance to children and adults alike. Ten families participated, representing different ages, household compositions and cultural and socioeconomic backgrounds. Now the exhibition has opened, initiatives are taken to retain their involvement.

Several other participatory trajectories reinforce the exhibition’s social impact. A co-operation was set up with Recht-Op, a non-profit organisation focused on awareness-raising about poverty and policy changes for its alleviation. For its socio-artistic Right to Culture project, Recht-op ran a parallel course about home during the exhibition’s development.

Participating families, all of which live in the Antwerp Luchtbal area, brought their thoughts to the table through several workshops. Their ideas were translated into an artwork, which is currently on display in the MAS.

More details about the above-mentioned and other participatory initiatives, the results of which can be seen in Anybody Home?, would be given in the presentation.

A New Learning Ecosystem from an Old Partnership Model: Things We Learned from the Art Programme that Strengthens Youth Mental Resilience

Ms Kng Mian Tze
Senior Manager, Learning & Outreach, National Gallery Singapore

Museums serve as inspiring spaces providing opportunities for youths to share multiple perspectives and grow in the areas of self-confidence and self-esteem. Strength Through Art (stART) is a programme at the National Gallery Singapore that is designed to support youths in building emotional literacy and resilience. Students participate in a 6-session programme in which they develop emotional literacy with the artwork collection at the Gallery and in their schools. By the end of the sessions, students are empowered to actively engaged with art as an approach for developing well-being and resilience. This presentation will touch upon the genesis of stART, and how its focus on students inspired a new way of partnership amongst the collaborators, including teachers, artist-educators, designers and producers of the stART playbook, creating a larger learning ecosystem.

Project Biliteracy: A Museum-School-Community Partnership Programme – Singapore Peranakan Museum, St. Joseph’s Institution and Jurong West Secondary School and Chitty Melaka (Peranakan Indian) Association

Mr Brian Lee
Manager (Education) National Heritage Board, Asian Civilisations Museum

The Peranakan Museum reopened in February 2023, signalling a shift in its focus to better showcase the diversity of the Peranakan community, presented through objects exploring the cultures of communities such as the Chitty Melakans, Chinese Peranakans, and Arab Peranakans. The Museum Education team worked on developing resources and programmes for schools to better highlight these narratives.

This presentation focuses on the collaboration between the Education team and two secondary schools to learn about the Singapore Chitty Melaka community. It explores the possibilities of what collaborative museum education practices can achieve through the cooperation of source communities with museums, in presenting students with a more rounded perspective in accurately highlighting minority voices, showing the future of what cooperation between museums and schools can achieve in providing students with authentic learning opportunities from a real-world context, emphasising the change in position of museums as holders of knowledge to one where museums are bridges between source communities and educational partners through knowledge sharing.

This project between the Peranakan Museum and the two schools focuses on bilingual literacy in the English and Tamil languages through interviews that students conduct with the members of the Chitty Melaka community and the creation of bilingual content to be presented on a virtual gallery. Students would also engage in opportunities in humanities learning with the investigation of oral history accounts and intangible cultural heritage through lived experiences of Chitty Melaka youth. This is made possible through the museum’s community partnerships with the Chitty Melaka (Peranakan Indian) Association.

MERGASTUA: Taxidermy = Art + Science Combined

Mdm Haryany Mohamad
Director / Senior Curator, Penang State Museum Board

MERGASTUA: Taxidermy = Art + Science Combined is an exhibition organised by the Penang State Art Gallery. According to classical literature, Mergastua means wild animals of various species that are found in natural reserves. Around 1720 specimens from several Animalia classes were on display such as mammals (mounted & skeleton), birds (mounted, skeleton & skin scientific), reptiles (mounted), amphibians, fish and insects.

In Malaysia, taxidermy began as early as the 1880s, pioneered by foreign zoologists such as G. Samuels, E.J Keilich, S.E. Seimund and J. Bangga who had served as taxidermists at two state museums in. The involvement of local citizen in the taxidermy started when the National Museum was established in 1963 and the preservation work was carried out by the officers and staff of the Natural History Department, National Museum, Malaysia.

This exhibition aims to highlight the taxidermy profession in the museums while also attracting public interest in gaining knowledge and learning about the diversity of fauna that are imperilled by extinction and taxidermy.

Various activities and programmes were executed and during Mergastua exhibition period. Among the activities and programmes carried out includes
a. Drawingthon
b. Taxidermy Workshop
c. Face painting
d. Bird watching
g. Curatorial Guided Tours